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Bookmaking

Gaynes works together with communities to make art books that address cultural trends that are historically silenced yet relevant for our time. She draws on twelve years of experience as an ethnographer to gather, translate, and transcribe interviews from a diverse variety of sources. She then weaves testimonies together into overarching narratives that can later be illustrated. Allowing verbatim text to play into one another, she creates an ecosystem from which her narrators “speak” to one another and to their audiences from a page. Her pastiche editing creates immersive narratives complete with suspense, desire, and foretellings of the future. 


 

Gaynes has a history of interviewing narrators on controversial topics ranging from non certified healing practices to domestic and collective violence. For this reason she protects narrators’ identities by using pseudonyms in text narration, and upon constructing pictorials overlays photographed faces with stencils. Her pictorials “translate” the lyricism of her collaborators’ verbatim narration to conserve the magic of each narrator's own storytelling, recognizing them as skilled theorists of their own realities. 

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Gaynes holds herself to the following priorities in her bookmaking:

  • Protecting narrator identity

  • 3-dimensionalizing narrators on a page  (web or print)

  • Visualizing narrators’ visceral experiences 

  • Bringing a concrete dimension to super natural phenomena

  • Giving pause to narrators’ moments of surprise and transformation 

  • Sitting with controversial truths 

  • Inviting revisions and additions upon following up with narrators

  • Packaging stories using media platforms narrators enjoy consuming

  • Making the creative process as collaborative as possible 

  • Fostering creative expression in others

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Translation

Most recently, Gaynes agreed to translate a newly-published novel of an up-and-coming novelist from Adonara (the island where she conducts research) who just published an evocative rendering of the dramatic events leading up to mass anti-communist killings of 1966. This book by Kopong Bunga Lamawuran compassionately addresses perpetrators and victims of the communist "cleansing" through storytelling compelling for international readers who seek to understand how authoritarian control hampers intellectual and economic mobility.

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Gaynes translated poems from Kupang City’s acclaimed poet, Ragil Supriyanto, for a city-wide event celebrating local literature.

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ESL

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Gaynes’s three years of teaching higher education in Indonesia taught her that learning a second language, especially for adults, requires social responsibility and a splash of creativity. Gaynes combines “Organic World Language” with art facilitation to create immersive classroom environments where students of all ages can try their hand at art while learning English as a tool for self expression. 

 

Gaynes successfully implemented arts-based ESL in July-September of 2020. At the Institute for Research, Governance, and Social Change (IRGSC) in Kupang, Indonesia, she designed an English intensive program for resident interns training to be the nation’s next environmental and human rights activists. Over the duration of two months, students learned to see English as fun. To instill confidence in her quietest students, Gaynes paired artmaking games with writing exercises, reducing fear around presenting “imperfect” work and helping students master linguistic skills to articulate aspects of their environments deserving of change.

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Facilitator of Makers Meetups

In January of 2024, Gaynes co-founded a women’s makers workshop in Los Angeles. Gaynes based meetup principles based on coalition-building tactics she learned while working with activists in Indonesia. Rapid growth of members attested to widespread need for horizontal support among LA’s women artists. Based on a five minute spotlight model, makers meetings welcome creative people at all stages of their processes. Inviting both workshop critique and witnessing, women co-create safe spaces to advance their generative habits without pressure to push for perfection or ask for permission. Designed to snowball into collaborative side projects as well as coalition-building, Gaynes co-creates meetups that ensure shared leadership, diversity, inclusivity, and self-sustainability. 

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Arts-based Research

Merging art with ethnography 

Gaynes incorporates arts-based activities into her oral history interviewing approach to provoke stories that position her narrators as theorists of their own realities. Over the course of her four years in Indonesia (on the islands of Java, Kupang, Adonara, Solor, and Lembata) she has used a combination of art facilitation and visual conceptualization exercises to prompt in-depth discussions on power, loyalty, and agency. As a writer, visual artist, and educator, she explores the potential of collage as a means to co-author cultural narratives through visually engaging books that platform wisdoms of communities prioritizing orality over literacy.

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Need an Indonesian - English translation?
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© 2024 Julie Gaynes

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